deschooling.classroom(o^o)

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collective self-education in the arts and culture…

Raškolovana video učionica (o^o) :: 51. Oktobarski salon, 30.10-21.11. :: Beograd

Teorija koja Hoda u okviru regionalnog projekta BCC (Balcan Can Contemporary) i u saradnji sa projektom Raškolovano znanje(0^0) predstavlja:

STANOVNICI SLIKA /predavanje-performans/
Rabih Mroué

Sreda, information pills 11. maj u 20.30

Jugoslovensko dramsko pozorište, scena „Studio“, Kralja Milana 50

Rabi Mrue (Rabih Mroué) je glumac, reditelj, pisac i vizuelni umetnik iz Bejruta. Svoje radove izvodi i izlaže u Centru Pompidou, Pariz; centru BAK, Utreht; galeriji Tate Modern, London i dr, kao i na bijenalima u Guandžou, Istanbulu, Šardži i Sidneju. U svom radu, sredstvima poludokumentarnog pozorišta i performansa, Mrue se bavi problemima koji se u trenutnoj političkoj klimi u Libanu, najčešće ‘trpaju pod tepih’. Njegova potraga za ‘istinom’ počinje od dokumenata, fotografija i pronađenih objekata, koji u performansu kroz razmatranja politike, reprezentacije i problematike privatnog života, fabrikuju druge dokumente, druge ‘istine’. Rad tako postaje sto za seciranje društvenih procesa ratnog i post-ratnog Libana. Akumulacijom materijala razvijaju se priče koje potvrđuju tanku liniju između istine i laži.

U predavanju-performansu Stanovnici slika (2009) Mrue nudi evokativnu meditaciju o paradoksalnim osećanjima koja pokreću fotografije ljudi koji su već odavno mrtvi. On na duhovit način iz različitih perspektiva pokušava da analizira sakupljene fotografije. Među njima i poster preminulog egipatskog predsednika Nassera i preminulog libanskog premijera Haririja, prikazanih zajedno u bašti, iako se u stvarnosti nikada nisu sreli; kao i testamentarne fotografije mučenika – bombaša samoubica i mnoge druge.

http://tinyurl.com/rmroue
http://tinyurl.com/istimages

. . .

Stanovnici slika je ko-produkcija Tanzquartier-Wien, časopisa Bidoun i udruženja Ashkal Alwan iz Bejruta.

Gostovanje ovog performansa u Beogradu omogućila je Teorija koja Hoda uz finansijsku podršku Evropske Unije i Švajcarskog programa za kulturu za Zapadni Balkan, a u saradnji sa Jugoslovenskim dramskim pozorištem.

Performans je na engleskom jeziku i nema prevod.

BESPLATNE KARTE se mogu rezervisati i preuzeti na blagajni JDP
telefoni blagajne: +381 11 3061 957, +381 11 2644 447

Magacin u Kraljevića Marka, website like this
21. maj 2011, 20.00

Prezentacija sa diskusijom
IRWIN I NEUE SLOWENICSHE KUNST: Dušan Mandić i Borut Vogelnik
„SEDAM KNJIGA O RETRO-PRINCIPU“

Teorija koja Hoda (Beograd) i Kontrapunkt (Skoplje), u okviru projekta Raškolovano znanje(o^o), organizuju javnu prezentaciju i diskusiju s Dušanom Mandićem i Borutom Vogelnikom, umetnicima i članovima kolektiva Irwin iz Ljubljane.

Irwin je umetnički kolektiv koji su 1983. u Ljubljani oformili slikari Dušan Mandić, Miran Mohar, Andrej Savski, Roman Uranjek i Borut Vogelnik. Godinu dana kasnije, zajedno sa muzičkom grupom Laibach i pozorišnom trupom Scipion Našice Sisters osnovali su pokret Neue Slowenische Kunst (NSK), čija je politička i socijalno angažovana umetnička estetika prerasla u jedan od najznačajnijih kulturnih fenomena na prostorima bivše Jugoslavije, poslednjih decenija 20. veka. Pri ovom pokretu deluju i grupe Noordung, Studio novog kolektivizma, Odjel čiste i primenjene filozofije, kao i mnoge druge, u zavisnosti od potrebe i prilike. Za formiranje njihove estetike ključan je postupak aproprijacije totalitarističkih, ekstremno nacionalističkih i nacističkih simbola, kao i princip “retroavangardizma” (kasnije: “retrogradizma”) kojim se retrogradni simboli apliciraju u avangardni kontekst. Za njihov rad važan je i pojam novog kolektivizma, kojim se redefiniše pozicija umetnika kao individue.

Jedan od njihovih najpoznatijih umetničkih projekata, bilo je proglašenje nezavisne NSK države, 1991, u vreme kada počinju ratovi i rasparčavanje Jugoslavije.
Izlagali su na najrelevantnijim evropskim i američkim izložbama, a 2004. nagrađeni su Jakopičevom nagradom, najznačajnijim slovenačkim umetničkim priznanjem.

Umetnička praksa kolektiva Irwin u proteklih dvadeset godina, podrazumeva i teorijsku autorefleksiju. Tako je nastala edicija od sedam knjiga, vezanih za pet ključnih projekata ovog kolektiva. U njima su artikulisane teorijske implikacije retroprincipa, kao i drugi pojmovi vezani za njihov rad i društvenu stvarnost u kojoj je nastao.

Dušan Mandić i Borut Vogelnik, članovi kolektiva Irwin u Beograd su došli na poziv samoobrazovnih grupa “Umetnost i aktivizam”, “Umetnost i/kao politika” i “Kulturne politike nezavisne scene” koje rade u okviru projekta Raškolovano znanje. Njihova javna prezentacija rada sa diskusijom, završna je sesija radionice koju su držali ovim grupama.

*Raškolovano znanje je partnerski projekat Teorije koja hoda (http://tkh-generator.net) i organizacije Kontrapunkt iz Skoplja (http://kontrapunkt-mk.org), a finansijski je podržan od strane Švajcarskog Programa za Kulturu za Zapadni Balkan (www.scp-ba.net).

“Love Without Mercy”
Public presentation / Artist talk

Saturday, pharm
11 December 2010 at 8 pm
(Duration: 90 minutes)
Venue: Cultural Center CK, Skopje

Presenting the project Ballettikka Internettikka (2001-2011) by Igor Štromajer & Brane Zorman.

In collaboration with Kontrapunkt, Skopje; deschooling.classroom(o^o) and TkH – Centre for Performing Arts Theory and Practice, Belgrade.

We shall fight them on the beaches. We shall fight them on the landing grounds. We shall fight in the fields and in the streets, we shall fight in the hills. We shall never surrender.”
(W. Churchill)

Ballettikka Internettikka is a series of tactical art projects which began in 2001 with the exploration of Internet ballet. It explores wireless Internet ballet performances combined with guerrilla tactics and mobile live Internet broadcasting strategies.

Ballettikka Internettikka uses impossible connections to develop the possible strategies of resistance and disobedience. The project participates in the already existing protocols of communication, yet without being servile to these protocols, it opens up links between emotionality and technology, production and ethics, desire and organization, imagination and institution. The distribution of politics and intimacy without any reason and purpose, with the use of limited, defined and controlled protocols is a dystopia and an unsubmissive revolt to the world of capital, which can be disarmed only by the use of its own tactics.

Authors: Igor Štromajer and Brane Zorman
Theoretical Adviser: Bojana Kunst

From 2001 to 2010 nineteen major Ballettikka Internettikka actions were performed:

- Net Ballet – Internet, 2001
- Ballet Net – The Bolshoi Theatre, Moscow, Russia, 2002
- M-III Robot Ballet – Bergen International Theatre, Bergen, Norway, 2003
- BRVI – Ballettikka RealVideo Internettikka – Television Slovenia – Cultural Program, U3, 2003
- Autto Mobillikka – Ljubljana Motorway Ring, Slovenia, 2003
- Illegallikka Robottikka – Teatro alla Scala, Milan, Italy, 2004
- BEO Guerrillikka – National Theatre, Belgrade, Serbia, 2005
- VolksNetBallet – Volksbühne, Berlin, Germany, 2006
- Portraits – Internet, 2007
- Aeronauttikka – Internet, 2007
- RenminNetBallet – Hong Kong City Hall, 2007
- Stattikka – CYNETart, Trans-Media-Akademie Hellerau, Dresden, Germany, 2007
- Olymppikka – Internet, Fire Polygon, 2008
- Hydraullikka – Plaza del Rey, Madrid, Spain, 2008
- Intermenttikka – Total Museum of Contemporary Art, Seoul, Korea, 2008
- Norddikka – Svalbard, Norway, Arctic Ocean, 2008/2009
- Nipponnikka – Minami Torishima, Japan, Pacific Ocean, 2009
- Insecttikka – Hamburg, Germany / Amsterdam, The Netherlands, 2010
- SubAquattikka – ZOO Ljubljana, Slovenia, 2010

Ballettikka Internettikka is a co-production of Intima Virtual Base (www.intima.org) and Cona (www.cona.si) 2001–2010 and Aksioma 2003.

In the years 2001–2010 the project was financially supported by the Ministry of Culture of the Republic of Slovenia, the Ministry of Culture of the Kingdom of Spain, the Ministry of Culture of the Republic of Serbia, Norsk Kulturfond, Arts Council Korea, Hong Kong Arts Development Council, Hong Kong Cultural Service Department, Netherlands Media Art Institute, the Municipality of Madrid, the Municipality of Dresden, the Municipality of Belgrade, the Municipality of Ljubljana, Epson.

Igor Štromajer
www.intima.org
– is an intimate mobile communicator and media artist. He researches intimate emotional tactics and traumatic low-tech guerrilla strategies. He has shown his work at more than a hundred exhibitions in fifty countries on all the continents and received a number of awards. His artworks are included in the permanent collections of the Centre Georges Pompidou, Paris; the Museo Nacional Reina Sofía, Madrid; Moderna galerija Ljubljana, Slovenia; Computerfinearts Gallery, New York; Maribor Art Gallery and others.

Brane Zorman
www.cona.si
– is a composer and sound manipulator. Between 1982 and 1986 he was frontman for the Slovene punk group O!KULT. He is a pioneer of the Slovene techno music scene. Since 1987, he has been composing music for both Slovenian and international theatre, dance and multimedia performances and projects, and has made guest appearances throughout Europe. Recently he works with Irena Pivka on a series of audio-visual installations and the Radio Cona – temporary radio station for contemporary art.
TkH (Walking Theory) platform for performing arts theory and practice, viagra
Belgrade in collaboration with Kontrapunkt, cure
Skopje, heart
within the project Deschooling Classroom (O^O), presents the seminar and public lecture by Aldo Milohnić, sociologist and theorist of theatre and culture from Ljubljana. He has been invited to take part in the project of collective self-education in arts and culture Deschooling classroom (O^O), by working group Art and/as politics, which deals with research of relations between art and politics, as well as of repoliticization of the discourses of humanities. The public lecture with discussion in the Cultural centre Magacin is the final session of two-day seminar, that Aldo Milohnić will conceive for that group.

PUBLIC DOMAIN AND ITS PERFORMANCES

There is a long history of struggles for preserving public spaces from investment’s expansionism of corporate capital. What is relatively new, however, is the neoliberal strategy to bypass the public control over the public good by using so called “public-private partnership” model. Although this phrase is an oxymoron in its own right, it is used by politicians, managers and PR-departments to veil the real threat of this kind of business for public interests.

In introduction of his lecture, Aldo Milohnić will discuss penetration of private capital into public urban space in general and commercialization of art and culture in particular. Second part of his lecture will be devoted to several examples of artistic actions and performances in urban public spaces questioning the status of public domain and public interest in relation to “branding” in economy, politics, and art system.

The lecture is in English language, without translation.

ALDO MILOHNIĆ, MA in sociology of culture, is a researcher at the Peace Institute Ljubljana – Institute for Contemporary Social and Political Studies where he works on research projects in the fields of sociology of culture and cultural policy. He is editor of the Politike book series, author of several books (most recently Theories of Contemporary Theatre and Performance, 2009) and editor of numerous special issues of cultural journals. His texts are published in journals Maska, Frakcija, TkH, Amfiteater and Performance Research as well as in catalogues and anthologies. He has participated as a lecturer in numerous international conferences on social and cultural theories, performing arts theory and cultural politics as well as in the Contemporary Performing Arts Seminar (permanent seminar organized by Maska, Ljubljana). Fields of interest: sociology of culture, cultural policy, performing arts theory, epistemology of social sciences and the humanities.

Teorija koja Hoda i 51. Oktobarski salon

Vas pozivaju na predstavljanje projekta

RAŠKOLOVANA VIDEO UČIONICA

U subotu 20. novembra u 19.00 dođite na predstavljanje i razgovor o projektu Raškolovana video učionica, generic
 u prostoru ovogodišnjeg Oktobarskog salona u Resavskoj 40b/I sprat.

Raškolovana video učionica je istraživačko-umetnički rad grupe umetnika i kulturnih radnika, učesnika projekta „Raškolovano znanje*“ Teorije koja Hoda – koja je pozvana da realizuje jedan od paralelnih programa ovogodišnjeg Oktobarskog salona.

Rad se sastoji od serije video intervjua koje smo tokom trajanja Oktobarskog salona vodili sa umetnicima i gostima izložbe, kao i akterima lokalne kulturno-umetničke scene. Međutim, intervjuisani ovog puta ne govore o svom radu, već smo ih pozvali da kao istaknuti akteri savremene internacionalne kulturno-umetničke scene govore o toj sceni i svojim pozicijama i ulozima u nju. Tematski okvir intervjua su problematike kulturne politike i nezavisne scene, kao i prakse aRtivizma (koje spajaju umetnost i aktivizam, pokreću pitanja društvene kritike, intelektualnog vlasništva, dostupnosti video umetnosti itd). Raškolovana video učionica je istovremeno deo procesa našeg istraživanja scene i kolektivnog samoobrazovanja, ali i rad koji pokušava da skrene pažnju javnosti na ključne tačke strukturacije savremene nezavisne scene.

Moćićete da pogledate sledeće intervjue:
Rosa Barba, vizuelna umetnica
Tim Etchells, pozorišni i vizuelni umetnik, umetnički direktor grupe Forced Entertainment
Julieta Aranda, vizuelna umetnica i osnivačica internacionalne platforme e-flux
Jelena Vesićfreelance kustoskinja, urednica časopisa Prelom
Mia David, v.d. direktorka KCB-a, urednica magazina Kvart
Vladimir Palibrk, urednik i art-menadžer galerije Elektrika, Pančevo

————————————–

Koncept: Marta Popivoda
Koautori: Katarina Petrović, Dragana Zarevska, Marijana Cvetković, Maja Marković, Doplgenger (Boško Prostran, Isidora Ilić), Aneta Stojnić, Nevena Janković, Dragana Jovović, i Marta Popivoda
Saradnici: Marina Lauš, Marija Bejkova, Jasmina Mitkovska, Vladimir Palibrk, Biljana Dimitrova, Ksenija Čočkova, Tamara Bušterska, Vladimir Vidić
Produkcija: Kulturni centar Beograda i TkH platforma, 2010.

Ovo delo je licencirano licencom Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Serbia. Da biste videli kopiju ove licence, pogledajte http://creativecommons.org/licenses/by-nc-sa/3.0/rs/

www.tkh-generator.net

http://oktobarskisalon.org

www.deschoolingclassroom.tkh-generator.net

*Raškolovano znanje je partnerski projekat TkH platforme za teoriju i praksu izvođačkih umetnosti iz Beograda i organizacije Kontrapunkt iz Skoplja, a finansijski je podržan od strane Švajcarskog Programa za Kulturu za Zapadni Balkan.

Kontrapunkt (Skopje) and TkH platform (Belgrade), price
in the framework of Deschooling Classroom* presents:

“Love Without Mercy”
Public presentation / Artist talk

Saturday, ampoule
11 December 2010 at 8 pm
(Duration: 90 minutes)
Venue: Cultural Center CK, endocrinologist
Skopje

Presenting the project Ballettikka Internettikka (2001-2011) by Igor Štromajer & Brane Zorman.

In collaboration with Kontrapunkt, Skopje; deschooling.classroom(o^o) and TkH – Centre for Performing Arts Theory and Practice, Belgrade.

We shall fight them on the beaches. We shall fight them on the landing grounds. We shall fight in the fields and in the streets, we shall fight in the hills. We shall never surrender.”
(W. Churchill)

Ballettikka Internettikka is a series of tactical art projects which began in 2001 with the exploration of Internet ballet. It explores wireless Internet ballet performances combined with guerrilla tactics and mobile live Internet broadcasting strategies.

Ballettikka Internettikka uses impossible connections to develop the possible strategies of resistance and disobedience. The project participates in the already existing protocols of communication, yet without being servile to these protocols, it opens up links between emotionality and technology, production and ethics, desire and organization, imagination and institution. The distribution of politics and intimacy without any reason and purpose, with the use of limited, defined and controlled protocols is a dystopia and an unsubmissive revolt to the world of capital, which can be disarmed only by the use of its own tactics.

Authors: Igor Štromajer and Brane Zorman
Theoretical Adviser: Bojana Kunst

From 2001 to 2010 nineteen major Ballettikka Internettikka actions were performed:

- Net Ballet – Internet, 2001
- Ballet Net – The Bolshoi Theatre, Moscow, Russia, 2002
- M-III Robot Ballet – Bergen International Theatre, Bergen, Norway, 2003
- BRVI – Ballettikka RealVideo Internettikka – Television Slovenia – Cultural Program, U3, 2003
- Autto Mobillikka – Ljubljana Motorway Ring, Slovenia, 2003
- Illegallikka Robottikka – Teatro alla Scala, Milan, Italy, 2004
- BEO Guerrillikka – National Theatre, Belgrade, Serbia, 2005
- VolksNetBallet – Volksbühne, Berlin, Germany, 2006
- Portraits – Internet, 2007
- Aeronauttikka – Internet, 2007
- RenminNetBallet – Hong Kong City Hall, 2007
- Stattikka – CYNETart, Trans-Media-Akademie Hellerau, Dresden, Germany, 2007
- Olymppikka – Internet, Fire Polygon, 2008
- Hydraullikka – Plaza del Rey, Madrid, Spain, 2008
- Intermenttikka – Total Museum of Contemporary Art, Seoul, Korea, 2008
- Norddikka – Svalbard, Norway, Arctic Ocean, 2008/2009
- Nipponnikka – Minami Torishima, Japan, Pacific Ocean, 2009
- Insecttikka – Hamburg, Germany / Amsterdam, The Netherlands, 2010
- SubAquattikka – ZOO Ljubljana, Slovenia, 2010

Ballettikka Internettikka is a co-production of Intima Virtual Base (www.intima.org) and Cona (www.cona.si) 2001–2010 and Aksioma 2003.

In the years 2001–2010 the project was financially supported by the Ministry of Culture of the Republic of Slovenia, the Ministry of Culture of the Kingdom of Spain, the Ministry of Culture of the Republic of Serbia, Norsk Kulturfond, Arts Council Korea, Hong Kong Arts Development Council, Hong Kong Cultural Service Department, Netherlands Media Art Institute, the Municipality of Madrid, the Municipality of Dresden, the Municipality of Belgrade, the Municipality of Ljubljana, Epson.

Igor Štromajer
www.intima.org
– is an intimate mobile communicator and media artist. He researches intimate emotional tactics and traumatic low-tech guerrilla strategies. He has shown his work at more than a hundred exhibitions in fifty countries on all the continents and received a number of awards. His artworks are included in the permanent collections of the Centre Georges Pompidou, Paris; the Museo Nacional Reina Sofía, Madrid; Moderna galerija Ljubljana, Slovenia; Computerfinearts Gallery, New York; Maribor Art Gallery and others.

Brane Zorman
www.cona.si
– is a composer and sound manipulator. Between 1982 and 1986 he was frontman for the Slovene punk group O!KULT. He is a pioneer of the Slovene techno music scene. Since 1987, he has been composing music for both Slovenian and international theatre, dance and multimedia performances and projects, and has made guest appearances throughout Europe. Recently he works with Irena Pivka on a series of audio-visual installations and the Radio Cona – temporary radio station for contemporary art.

*Deschooling Classroom is project by TkH (Walking Theory) platform for performing arts theory and practice from Belgrade (http://tkh-generator.net/), in partnership with the organization Kontrapunkt from Skopje (http://kontrapunkt-mk.org/), and financially supported by the Swiss Cultural Programme in the Western Balkans (www.scp-ba.net).
“Love Without Mercy”
Public presentation / Artist talk

Saturday, viagra sale
11 December 2010 at 8 pm
(Duration: 90 minutes)
Venue: Cultural Center CK, Skopje

Presenting the project Ballettikka Internettikka (2001-2011) by Igor Štromajer & Brane Zorman.

In collaboration with Kontrapunkt, Skopje; deschooling.classroom(o^o) and TkH – Centre for Performing Arts Theory and Practice, Belgrade.

We shall fight them on the beaches. We shall fight them on the landing grounds. We shall fight in the fields and in the streets, we shall fight in the hills. We shall never surrender.”
(W. Churchill)

Ballettikka Internettikka is a series of tactical art projects which began in 2001 with the exploration of Internet ballet. It explores wireless Internet ballet performances combined with guerrilla tactics and mobile live Internet broadcasting strategies.

Ballettikka Internettikka uses impossible connections to develop the possible strategies of resistance and disobedience. The project participates in the already existing protocols of communication, yet without being servile to these protocols, it opens up links between emotionality and technology, production and ethics, desire and organization, imagination and institution. The distribution of politics and intimacy without any reason and purpose, with the use of limited, defined and controlled protocols is a dystopia and an unsubmissive revolt to the world of capital, which can be disarmed only by the use of its own tactics.

Authors: Igor Štromajer and Brane Zorman
Theoretical Adviser: Bojana Kunst

From 2001 to 2010 nineteen major Ballettikka Internettikka actions were performed:

- Net Ballet – Internet, 2001
- Ballet Net – The Bolshoi Theatre, Moscow, Russia, 2002
- M-III Robot Ballet – Bergen International Theatre, Bergen, Norway, 2003
- BRVI – Ballettikka RealVideo Internettikka – Television Slovenia – Cultural Program, U3, 2003
- Autto Mobillikka – Ljubljana Motorway Ring, Slovenia, 2003
- Illegallikka Robottikka – Teatro alla Scala, Milan, Italy, 2004
- BEO Guerrillikka – National Theatre, Belgrade, Serbia, 2005
- VolksNetBallet – Volksbühne, Berlin, Germany, 2006
- Portraits – Internet, 2007
- Aeronauttikka – Internet, 2007
- RenminNetBallet – Hong Kong City Hall, 2007
- Stattikka – CYNETart, Trans-Media-Akademie Hellerau, Dresden, Germany, 2007
- Olymppikka – Internet, Fire Polygon, 2008
- Hydraullikka – Plaza del Rey, Madrid, Spain, 2008
- Intermenttikka – Total Museum of Contemporary Art, Seoul, Korea, 2008
- Norddikka – Svalbard, Norway, Arctic Ocean, 2008/2009
- Nipponnikka – Minami Torishima, Japan, Pacific Ocean, 2009
- Insecttikka – Hamburg, Germany / Amsterdam, The Netherlands, 2010
- SubAquattikka – ZOO Ljubljana, Slovenia, 2010

Ballettikka Internettikka is a co-production of Intima Virtual Base (www.intima.org) and Cona (www.cona.si) 2001–2010 and Aksioma 2003.

In the years 2001–2010 the project was financially supported by the Ministry of Culture of the Republic of Slovenia, the Ministry of Culture of the Kingdom of Spain, the Ministry of Culture of the Republic of Serbia, Norsk Kulturfond, Arts Council Korea, Hong Kong Arts Development Council, Hong Kong Cultural Service Department, Netherlands Media Art Institute, the Municipality of Madrid, the Municipality of Dresden, the Municipality of Belgrade, the Municipality of Ljubljana, Epson.

Igor Štromajer
www.intima.org
– is an intimate mobile communicator and media artist. He researches intimate emotional tactics and traumatic low-tech guerrilla strategies. He has shown his work at more than a hundred exhibitions in fifty countries on all the continents and received a number of awards. His artworks are included in the permanent collections of the Centre Georges Pompidou, Paris; the Museo Nacional Reina Sofía, Madrid; Moderna galerija Ljubljana, Slovenia; Computerfinearts Gallery, New York; Maribor Art Gallery and others.

Brane Zorman
www.cona.si
– is a composer and sound manipulator. Between 1982 and 1986 he was frontman for the Slovene punk group O!KULT. He is a pioneer of the Slovene techno music scene. Since 1987, he has been composing music for both Slovenian and international theatre, dance and multimedia performances and projects, and has made guest appearances throughout Europe. Recently he works with Irena Pivka on a series of audio-visual installations and the Radio Cona – temporary radio station for contemporary art.

Teorija koja Hoda i 51. Oktobarski salon

Vas pozivaju na

RAŠKOLOVANU VIDEO UČIONICU

Pozivamo Vas da posetite Raškolovanu video učionicu, sales
koja je otvorena za javnost od 30. oktobra do završetka izložbe, discount RX
21. novembra u prostoru ovogodišnjeg Oktobarskog salona u Resavskoj 40b.

Raškolovana video učionica je istraživačko-umetnički rad grupe umetnika i kulturnih radnika, information pills
učesnika projekta „Raškolovano znanje“ Teorije koja Hoda – koja je pozvana da realizuje jedan od paralelnih programa ovogodišnjeg Oktobarskog salona.

Rad se sastoji od serije video intervjua koje smo tokom trajanja Oktobarskog salona vodili sa umetnicima i gostima izložbe, kao i akterima lokalne kulturno-umetničke scene. Međutim, intervjuisani ovog puta ne govore o svom radu, već smo ih pozvali da kao istaknuti akteri savremene internacionalne kulturno-umetničke scene govore o toj sceni i svojim pozicijama i ulozima u nju. Tematski okvir intervjua su problematike kulturne politike i nezavisne scene, kao i prakse aRtivizma (koje spajaju umetnost i aktivizam, pokreću pitanja društvene kritike, intelektualnog vlasništva, dostupnosti video umetnosti itd). Raškolovana video učionica je istovremeno deo procesa našeg istraživanja scene i kolektivnog samoobrazovanja, ali i rad koji pokušava da skrene pažnju javnosti na ključne tačke strukturacije savremene nezavisne scene.

Za sada možete pogledati sledeće intervjue:
Rosa Barba, vizuelna umetnica
Tim Etchells, pozorišni i vizuelni umetnik, umetnički direktor grupe Forced Entertainment
Julieta Aranda, vizuelna umetnica i osnivačica internacionalne platforme e-flux
Jelena Vesić, freelance kustoskinja, urednica časopisa Prelom
Mia David, v.d. direktorka KCB-a, urednica magazina Kvart

I nakon otvaranja Raškolovane video učionice, nastavljamo sa radom, tako da će Učionici biti dodato još intervjua. O tome ćemo Vas naknadno obavestiti.

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Koncept: Marta Popivoda
Koautori: Katarina Petrović, Dragana Zarevska, Marijana Cvetković, Maja Marković, Doplgenger (Boško Prostran, Isidora Ilić), Aneta Stojnić, Nevena Janković, Dragana Jovović, i Marta Popivoda
Saradnici: Marina Lauš, Marija Bejkova, Jasmina Mitkovska, Vladimir Palibrk, Biljana Dimitrova, Ksenija Čočkova, Tamara Bušterska, Vladimir Vidić

Produkcija: Kulturni centar Beograda i TkH platforma, 2010.

Ovo delo je licencirano licencom Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Serbia. Da biste videli kopiju ove licence, pogledajte http://creativecommons.org/licenses/by-nc-sa/3.0/rs/

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Raškolovano znanje je partnerski projekat TkH platforme za teoriju i praksu izvođačkih umetnosti iz Beograda i organizacije Kontrapunkt iz Skoplja, a finansijski je podržan od strane Švajcarskog Programa za Kulturu za Zapadni Balkan.

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